Women’s traditional chin tattoos are making a comeback in Alaska


More and more Inuit women are getting face tattoos.

The traditional practice dates back centuries but was banned by 19th and 20th-century missionaries. Now it’s coming back. Though the techniques and customs were nearly lost, a new generation is using tattoos to reclaim what it means to be a Native woman in the 21st century.

In the backroom of a small Anchorage tattoo parlor, Maya Sialuk Jacobsen uses a thin needle to pull an inky thread through the skin on her friend’s wrist.

“I use the exit hole as the entrance for the next stitch,” Jacobsen explained, bent over her work as a small crowd observed.

The friend is Holly Mititquq Nordlum, organizer of a weeklong series of tattoo-related events called Tupik-Mi. Compared to the sting of a tattoo gun, the stitches hardly register, and Norldum looks unfazed, greeting and bantering with observers cycling in and out of the cramped room.

“It’s loose,” Nordlum said, nodding at the flesh on her arm. “I put on a few pounds so she’d have something to work with.”

“Her skin is so much better than my husband’s skin,” Jacobsen laughed. “She has really lovely skin to tattoo.”

Maya Sialuk Jacobsen of Greenland gives a henna tattoo to a friend’s chin during an event at the Anchorage Museum, part of the Polar Lab’s Tupik-Mi series on traditional tattoos. (Photo by Zachariah Hughes/KSKA)
Maya Sialuk Jacobsen of Greenland gives a henna tattoo to a friend’s chin during an event at the Anchorage Museum, part of the Polar Lab’s Tupik-Mi series on traditional tattoos. (Photo by Zachariah Hughes/KSKA)

Jacobsen is one of the few Inuit women who knows how to give tattoos through traditional methods like sewing and poking in dabs of dye. She’s candid about the fact that the equipment has changed. Instead of whale sinew, she uses cotton thread; rather than coloring with soot, she uses tattoo ink. But much like rifle hunting compared to harpooning, she sees her modern tools simply as superior means towards traditional ends: inscribing the skin with meaningful marks.

Jacobsen has spent years cobbling together a body of knowledge about what the practice meant before Danish colonization in her native Greenland almost three centuries ago.

“There is no short answer,” Jacobsen says, adding, “it’s also a very Western, academic way of thinking.”

Jacobsen’s son Benjamin came with her from Greenland, and shows off self-administered henna designs made of different traditional patterns, but reconfigured. (Photo by Zachariah Hughes/ KSKA)
Jacobsen’s son Benjamin came with her from Greenland, and shows off self-administered henna designs made of different traditional patterns, but reconfigured. (Photo by Zachariah Hughes/ KSKA)

Outsiders have looked at Inuit tattoos as having legible meanings embedded within stable rituals, like clear markers signifying marriage or adulthood. But not only did those cultural foreigners import concepts of their own–like marriage–but also a sense of fixity to a practice Jacobsen says was much more fluid and interpretive. “I can’t tell you a triangle means an iceberg,” she explained dryly. That’s partly because the historical record is unreliable, but also because symbols were not nearly so firm.”

You can’t understand tattooing, she believes, without understanding the lives of Inuit women.

While working as a tattoo artist in Europe, Jacobsen was diagnosed with fibromyalgia, which made it difficult to wield the heavy, vibrating drill that is the trade’s standard instrument. So she started poking, and from there stitching. But as she tried learning more about how Inuit women had traditionally been marked, the few historical accounts all came from European adventurers and missionaries.

“I assure you, they did not really know what tattooing was,” Jacobsen says with a wry smile.

But then came the mummies. A group of 15th century Inuit women discovered during 1972 at the Qilakitsoq (“little sky”) grave-site in Greenland, preserved tattoos and all. Jacobsen found a book about them, studied the designs, and realized the marks on their foreheads, cheeks, and chins were similar to the tight stitches she’d learned as a girl. It was her first primary source.

“I have, like, literature, and then I have, what I call ‘from the horse’s mouth,’” Jacobsen says, “and that is the mummies.”

Tupik-Mi, Jacobson and Norldum’s project, is part of an effort within the Urban Interventions series in the Anchorage Museum’s Polar Lab.

“Tupik means tattoo,” explained Nordlum, who is Inupiaq, “and then ‘mi’ is a shortened version of muit, which means ‘people.’ In Kotzebue, we say ‘Qikiqtaġrumuit’ which means, ‘We’re the people from Kotzebue.’”

Nordlum was introduced to Jacobsen over Facebook after she couldn’t find anyone to give her a traditional tattoo in Alaska. A friendship blossomed, and they arranged the first in what they hope will be yearly Tupik-Mi events.

In addition to a lecture and live tattooing demonstration, the women also hosted a light explanation of traditional tattoos for high schoolers before letting them apply tube after tube of henna to their appendages.

Nordlum squeezed a tight formation of dots and lines onto the back of an 11th grader’s wrist.

“She’s making my initials with the Inuit designs,” says Ben Hunter-Francis.

The West High junior says he has plenty of time to decide whether or not he’ll get a tattoo. But if he does, he’d like it to be attached to his Yup’ik roots in the Lower-Yukon community of Marshall.

“Just to make my heritage proud, and make my family proud,” Hunter-Francis says, “that I’m connected with my heritage in some way.”

Traditionally, tattooing was the province of women. They were the ones who wore them, and exclusively the ones to administer them. But as Nordlum finished Hunter-Francis’s wrist, she explained that the practice isn’t bound in place by history.

“In modern culture, men getting tattoos is not a rarity. We are contemporary people working in modern times, so although it was a rarity traditionally, now it isn’t,” Nordlum says, not letting up her hold on Hunter-Francis’s arm.

“Culture is not a set thing, it is a living breathing thing that changes as time goes, and we’re just adapting … like skin.”

Holly Mititquq Nordlum shows off her partially complete tattoo during a live demonstration at Anchorage’s Above The Rest studio. Each horizontal line is 40 individual stitch marks through the first layer of skin. Before starting the stitches, Jacobsen poked the basic design of three bird feet rising from the lines. Nordlum’s Inupiaq name, Mititquq, means ‘a place where birds land,’ and she celebrates big life goals with bird feet tattoos, like the two on her opposite wrist, done with a tattoo gun. (Photo by Zachariah Hughes/ KSKA)
Holly Mititquq Nordlum shows off her partially complete tattoo during a live demonstration at Anchorage’s Above The Rest studio. Each horizontal line is 40 individual stitch marks through the first layer of skin. Before starting the stitches, Jacobsen poked the basic design of three bird feet rising from the lines. Nordlum’s Inupiaq name, Mititquq, means ‘a place where birds land,’ and she celebrates big life goals with bird feet tattoos, like the two on her opposite wrist, done with a tattoo gun. (Photo by Zachariah Hughes/ KSKA)

If plans go ahead, Tupik-Mi will expand next year to train a handful of Alaskans in traditional tattooing methods. By the third year, the hope is to hold workshops in Canada and Greenland, growing tattooing capacity across the high north.

“The idea,” Nordlum explains, “is for Iñupiaq, Inuit, Yup’ik women to feel proud of who they are. To feel strong. To create a sisterhood. To belong to something bigger than yourself, so that you’re safe and you’re supported by all these other women.”

Nordlum was a few days away from getting lines tattooed on her chin, one of the most visible and common styles across a wide array of indigenous Arctic communities. She says more women in Alaska are opting for chin tattoos, to the point where she brushed off the suggestion it was a bold decision to get one

“I don’t feel very brave here because there’s so many of us,” Nordlum says.

Permanence is part of why tattoos carry so much weight, and Nordlum sees the resurgence in women’s chin tattoos as putting forward a permanent, proud Native identity for all to see.

Jacobsen had her own chin lines laid down by her partner just two months ago. Soon after the process began, she felt a visit from her late mother.

“My mind was just wrapped around all of these thousands of fore-mothers I must have had that had tattoos,” Jacobsen says, her words growing softer. “My heart was beating so hard, and I cried, and I was shaking.”

Four thin lines that would have normally taken a few minutes took hours. “It was definitely very, very emotional,” she says.

Jacobsen is sharing that intimate experience with Nordlum, dot-by-dot, as she pokes a tattoo into her friend’s chin.

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