Curators promise broad, honest representations of Alaska Native history and culture in new Juneau museum.
History
35th Anniversary of the Prinsendam, Part 1: The Rescue
Despite an incoming typhoon, 30-foot seas, and 100-meter visibility, every one of the more than 500 passengers and crew escaped before the ship burned and sank.
How 3D printing helps preserve and return sacred Tlingit objects
The Smithsonian is using 3D printing and scanning technology to preserve and repatriate Hoonah Indian Association items.
How researchers use traditional place names and knowledge
Using traditional knowledge to support ecological research was the focus of two presentations Saturday at the “Sharing Our Knowledge” Tlingit clan conference.
Pioneering Alaska Native civil engineer: Bridge design became my thing
Tlingit Roy Peratrovich Jr. remembers designing the original Brotherhood Bridge, bronze medallions restored for recently dedicated replacement.
American Women Who Were Anti-Suffragettes
Who were the women who worked against voting rights for women in the early 20th century? Some were involved in community and charity — but not electoral politics.
Seabirds recolonize Attu Island amid toxic WWII battlefield remnants
Attu is scheduled for what may be the first of many stages of cleanup — but it’s unlikely the military will ever be able to turn back the clock to a time before conflict.
Petersburg library, newspaper recognized for archiving 100 years of history
The Alaska State Historical Records Advisory Board has recognized The Petersburg Public Library with a certificate of excellence for partnering with the Petersburg Pilot to digitize and archive the weekly newspaper going back 100 years.
The Russians are coming? Sitka waits
The director of the Sitka Historical Society has been in an extensive—and somewhat bizarre—email exchange with a Russian event promoter named Alex Chupilkin.
‘Assimilation’ playwright flips the script on Native history
In a dystopian future, Western civilization has crumbled and indigenous people are in control. That’s the premise of Jack Dalton’s play “Assimilation.”